I was born 1960 in Hamburg, I have a daughter and I am married.
After two semesters studying at art collage I changed my education and since then I am working in the social field.
Today I work partly as a painter, partly as a social worker.
My whole life I used to paint with various remedies and since 2004 I paint with oil paint on canvases and wood.
My choice of scene is explained by my proximity to street art and graffiti scene: My perception of the environment
(usually the city) is characterized by the focus on disharmonic (somehow 'inappropriate') compositions and their aesthetics. The path to the final motif of the painting first goes through my perception and the subsequent adherence of these perceptions with a camera. However, most of the time I do not paint complete photographs but put together image content from several photographs that I took.
Photorealism is not my goal but rather an own interpretation of a situation. The focus is on atmosphere, light and colors.
2013 KUTTER FRAUEN in Schönberg at the baltic sea
2014 STADT LAND FLUSS in Kulturhaus Eppendorf , Hamburg
2017 STADTBILDER at Galerie Morgenland Hamburg
2019 CITYSCAPES at Gutshaus Glinde,, Glinde
2020 RELATED with Ellen Kutter at Pop Up Galerie, Hamburg
2020 Exhibition at Hamburger Kunstgalerie, Gänsemarktpassage in Hamburg
2021 URBAN VIBES at Galerie Kerstner, Kronberg near Frankfurt
2022 GROSSE FREIHEIT Exhibition with Ute Martens „“ at Galerie des Elysee,
Hamburg
2023 URBANICA ART Gallery in Flensburg
2024 URBAN COLORS in Glove Projekts, Galerie in Hamburg Ottensen
2024 ÖLGEMÄLDE IM BLICKWERK, Blickwerk, Hamburg
2012, 2013, 2015 FORMART GLINDE
2011, 2012, 2018 2024 KUNST ALTONALE
2016, 2017 OPEN AI GALLERY Berlin
2017 Galerie MORGENLAND
2023 ART MUC , München
2023 IMMAGINE TRANSPARENCY von Das Kurativ, Jupiter Hamburg
2024 HAAM Hamburg
2024 HOTEL PACIFIC, Kunstherbst der Altonale, Hamburg
Galerie Kerstner, Kronberg, Taunus, Germany
Hamburger Kunstgalerie, Hamburg
artsolitaire.arsmundi.de
Visit also my profile at Galerie Kerstner, for paintings.
If you are interested in the original or have further questions feel free to contact me